![]() Everything came out a bit too complicated. But there was also the copyright problem in 2006 - Schott held the copyright only for selecting 12 Preludios. In this period, I was too busy with many other projects, and to be honest, the challenging work on the other Ponce edition made me a bit tired to continue. ![]() What was the reason to let us wait so long time for your publication? And I could discover so many differences between the editions by Alcázar and Segovia. I was very emphasised about reading all these beautiful pieces now in Ponce’s own handwriting. In 2006 - after my first Urtext edition of some important Ponce pieces published on Schott ( Sonatina meridional, Sonata clásica, Sonata romántica, Thème varié et Finale) - I received the manuscript of the 24 Preludios. Before, we only had the version by Andrés Segovia with a selection of 12 Preludios. I remember how glad I was when I discovered in 1981 a brand-new edition with the first publication of all 24 Preludios by the Mexican guitarist Miguel Alcázar on Tecla. Let’s talk about your recent publication about your work with Manuel María Ponce that came out last year.
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